Friday, January 31, 2020

The Ukrainian Genocide Essay Example for Free

The Ukrainian Genocide Essay â€Å"Holodomor† means fake famine or slow killing by starvation in Ukrainian. Joseph Stalin, the premier of the Soviet Union, created an artificial famine to destroy the will of the Ukrainian people that sought independence from his rule. This famine lasted for three years killing an estimated seven to ten million people. Ukraine was known as the breadbasket of Europe before this happened. This was one of the worst cases of mass killing ever recorded. It also is one of the worst cases of food, or lack of it, being used as a weapon. Some people to this day ignore the fact that this artificial famine even existed. Ukraine had been under the domination of the Imperial Czars of Russia for two hundred years. Finally freedom had arrived in March of 1917. Some optimistic Ukrainians declared Ukraine to be an independent nation and began to re-establish Kiev, the nation’s capital. However, they did not stay free for long. Vladimir Lenin, the first leader of the Soviet Union, wanted to reclaim Ukraine. Four years of chaos and fighting followed. By the end of 1921 the Soviets were able to crush the Ukrainian people and win the war. Half of Ukraine was then divided up between Poland, Romania, and Czechoslovakia. The rest of Ukraine was kept by the Soviet Union. The Soviets began shipping grain out of Ukraine to satisfy hungry Russians. While the Soviets banqueted, Ukrainians suffered. Then a drought occurred resulting in widespread hunger and popular resentment towards Vladimir Lenin and the Soviets. To lessen this animosity, Lenin lessened his grip on the Ukrainian people and even encouraged a free-market. People started to relax and renewed their interests in independence, folk art, music, and literature. The Soviets began slowly losing control of Ukraine because of this revival. However, when Lenin died Stalin, one of the most cold-blooded humans to ever hold this much power, took over. Stalin thought the gradual loss of Ukraine was completely unacceptable. To crush the free spirited revival he started using the same ruthless methods used on the Soviet Union. In the beginning of 1929 over five thousand Ukrainian scholars, scientists, cultural and religious leaders were arrested with false accusations of planning an armed revolt against the Soviets. Everyone that was arrested was either shot or deported to prison camps where they would be tortured with out a trial. Stalin also disapproved of Ukraine’s system of land management. He began seizing all privately owned farms in a country where eighty percent of its people are farmers. There was a class of farmers called â€Å"kulaks† by the communists. Kulaks were wealthy farmers who made a profit by themselves. Stalin believed that all farms should be collective farms run by the government. Stalin started forcing people to join these collective farms or else they would be classified as Kulaks and put into jails, which began appearing in most Ukrainian villages. By the summer of 1932 eighty percent of Ukraine’s population started working in collective farms. They were afraid of seeing their own children die of starvation so they gave in. He thought that any revolt in the future would be led by the Kulaks so he began destroying them as a class. Kulaks were declared â€Å"enemies of the people† and were left beaten in the streets with out any possessions of their own. The Red army stole all of the kulaks possessions. It was against the law to help Kulaks or their families in any way. Millions of people were put onto railroad boxcars and were shipped to prison camps in the wilderness of Siberia. One-third of the people sent to these camps died because of the horrible conditions. Back in Ukraine things were getting worse and worse each day. Stalin sent out henchman Lazar Kaganovitch to destroy all Ukrainian resistance. He made quota shooting 10,000 innocent Ukrainians weekly. Eighty percent of all intellectuals were executed. Stalin began stealing food that was made from the Ukrainian’s own hands. All farms were raided for any possible food, blankets, cattle, and fuel. The secret police looked for â€Å"hidden grain† under men and women’s clothing. Even the smallest amounts of grain were confiscated. They blocked all railroads and streets so nothing could get in or out of Ukraine. Ukrainians began to quickly die of starvation, cold, and sickness. During the winter of 1932-1933 the famine hit full force. Soon people were eating shoes, belts, tree bark, pets, and some even ate infant children and dead bodies to stay alive. Many begged neighbors for potato skins and other scraps, but they found their neighbors equally starved. There were unbelievably emaciated bodies in the street. I remember all this I was swollen from hunger; my brother was even in the worst condition He was dying; his swollen body was leaking fluid. I was sitting beside him, he was gritting his teeth and kept asking for a cucumber Then he died His dead body had been wrapped in a blanket, the color of this blanket is still in my memory. This is the testimony of Hanna Nelasa, born in Luhansk region. She was one of the few people brave enough to give her testimony about the famine. In Russia it has been made illegal to commemorate this event. To this day people do not know the exact amount of people that died during this tragic time. At the famine’s height 25,000 people were dying per day. They estimate the number of people that died to be around seven to ten million. In the end the Soviet collective farms never succeeded. The livestock were poorly cared for on these farms and the conditions were very unhealthy. Inexperienced young communists ran all the farms. They became jokes throughout Ukraine about how uneducated they were on simple things like farming and cleaning. An American Journalist wrote this horrifying description of what he saw: â€Å"About twenty miles south of Kiev (Kyiv), I came upon a village that was practically extinct by starvation. There had been fifteen houses in this village and a population of forty-odd persons. Every dog and cat had been eaten. The horses and oxen had all been appropriated by the Bolsheviks to stock the collective farms. In one hut they were cooking a mess that defied analysis. There were bones, pigweed, skin, and what looked like a boot top in this pot. The way the remaining half dozen inhabitants eagerly watched this slimy mess showed the state of their hunger. † On a personal note, my grandfather lived through this time. He was once walking and thought he saw a log and went to go sit on it, but it was a frozen body. They were living at the edge of the woods so his father buried potatoes and grain two hundred feet deep in the back of the woods. The Secret Police came to their house and took bayonets poking them into the soil looking for any food they had. Adults and children constantly came begging to their house for scraps of food and they gave it to them. This is why I chose this as my topic because my grandparents told me hundreds of stories about growing up during these times.

Thursday, January 23, 2020

Template for Departments Injury and Illness Prevention Program at the University of California, Berkeley :: essays research papers

Template for Departments' Injury and Illness Prevention Program at the University of California, Berkeley (Note: This template was downloaded from the web site of the Office of Environment, Health & Safety at the University of California, Berkeley, http://ehs.berkeley.edu/. The forms mentioned in this template can also be downloaded from the web site. Click on â€Å"Injury & Illness Prevention Program† under the â€Å"Services, Programs, & Compliance Assistance† heading on the EH&S home page.) Departments at the University of California, Berkeley can use the following template to create a written Injury and Illness Prevention Program (IIPP) that meets the requirements of state law. (Each department at UC Berkeley is required to have its own IIPP.) Putting the written program into action will help to ensure a healthful and safe workplace for department employees. To use the template, replace any italicized text with your department's specific information. Then send a copy to the Office of Environment, Health & Safety (EH&S) at 317 University Hall #1150 for review. (You may also send it as an e-mail attachment to ehs@uclink.berkeley.edu.) EH&S will review the draft against applicable legal requirements. The next step is to put the program into action. An IIPP's benefits will be realized only through effective implementation. University of California, Berkeley (Department Name) Injury and Illness Prevention Program (Date adopted) University of California, Berkeley (Department Name) Injury and Illness Prevention Program TABLE OF CONTENTS I. INTRODUCTION AND PURPOSE II. RESPONSIBILITIES III. IDENTIFYING WORKPLACE HAZARDS IV. COMMUNICATING WORKPLACE HAZARDS V. CORRECTING WORKPLACE HAZARDS VI. INVESTIGATING INJURIES AND ILLNESSES VII. EMPLOYEE HEALTH AND SAFETY TRAINING VIII. ENSURING COMPLIANCE IX. RECORD KEEPING X. CAMPUS SAFETY RESOURCES APPENDICES University of California, Berkeley (Department Name) Injury and Illness Prevention Program I. INTRODUCTION AND PURPOSE It is the policy of the University of California, Berkeley to maintain a safe and healthful work environment for each employee (including student and contract employees), and to comply with all applicable occupational health and safety regulations. The (Department Name) Injury and Illness Prevention Program (IIPP) is intended to establish a framework for identifying and correcting workplace hazards within the department, while addressing legal requirements for a formal, written IIPP. II. RESPONSIBILITIES ( Department Head's title, and name) (Name of department head) has primary authority and responsibility to ensure departmental implementation of the IIPP and to ensure the health and safety of the department's faculty, staff and students. This is accomplished by communicating the Berkeley campus's emphasis on health and safety, analyzing work procedures for hazard identification and correction, ensuring regular workplace inspections, providing health and safety training, and encouraging prompt employee reporting of health and safety concerns without fear of reprisal.

Wednesday, January 15, 2020

The Role of Race in Othello

â€Å"Although the plots of Shakespeare's plays are specific, the motivations of the characters — as well as of Shakespeare himself — have been the source of much debate. Arguments continue over interpretations of Shakespeare's intentions in part because his plays remain so profoundly relevant. † (www. pbs. org, Teachers’ Guide, Othello : Essay on race, web. ) Othello is the story of a Berber who in the fourteenth century, has reached the top of the pyramid in the Republic of Venice thanks to his value as a valiant general of the army. However, his life ended prematurely and tragically in the darkness of jealousy and crime. Othello is the only one able to defeat the Turks on the Cyprus battlefront. This is why the Doge sent him for this mission and, incidentally, gives him approval to bond with a woman from the nobility of Venice , Desdemona, daughter of Senator Brabantio, despite the reluctance of the latter, which obviously does not this â€Å"Moor† in his family. The drama takes place at the couple's arrival in Cyprus and victorious of the Turks – without a single fight since it is served by the storm which swept the enemy fleet. Othello becomes the governor of the island and is at the height of his military and personal life since he won the heart and selflessness of Desdemona who even strongly opposed her father to stay with him. From there, it's a highway to hell that Shakespeare offers us, and we are right to ask the question of why such a tragedy, when Othello had just made an exceptional course and that nothing, could predict such a fall? In the play, the Venetian society claims not to be racist, what is true because it allows Othello to become a governor of Cyprus. But just like our western and modern society, this racism rises under a speech of tolerance and opening. And it re-appears on the occasion of social struggles, of political or economic crises. It is the case in the play on the occasion of the fight between Iago and Cassio. But this racism is also interiorized by Othello. Why does not he speak to Desdemona? Why does not he rely on her? Because he built his life in a violent fight against exclusion, so that he cannot believe in his happiness. His class is printed for ever in the face. Othello is a text on otherness, on the impossibility for a Southerner, a Moor, a Berber from North Africa to find his place in Venice at that time without denying all of the above. But if this denial — and that is the demonstration made by Shakespeare — can last a while, then it turned against its author whose life turns to a tragedy. The play rises the question of the status of the stranger in our human society in general. Similarly, Othello may sound like a denunciation, a text that Shakespeare would have made masked in a classical tragedy that could please his audience. But we can also consider that the work, with its multiple facets exceeded its own author. It seems t that the idea there is probably a reflection on the question of otherness and the need of human societies to be open to the Other, to avoid the risk of dying themselves from the isolation in which they stand, is widespread with regard to this text. The heart of this tragedy is the question of â€Å"acculturation†. To take a place in society, the Stranger or more precisely â€Å"the dominated†, is obliged to begin this process which is to adopt the dominant culture to be recognized in the world of mainstream. The question of the disappearance of the original culture becomes glaring, because without it the â€Å"dominated† loses its soul and so a part of his life. Returning to the text, we can notice first that Othello is often referred to its origins, the color of his skin, his â€Å"strangeness†, in short, non-membership in the Republic of Venice, this irrespectively of the invaluable services he could have render. In the first scene of Act I, Iago, Othello’s â€Å"faithful† servant, who could not bear not to have been appointed by him as lieutenant, is trying to oppose the Senator Brabantio, Desdemona's father , to the love affair between his master and Desdemona. Iago’s terms would today lead to court prosecution for racism : â€Å"You’ll have your daughter covered with a Barbary horse; You’ll have your nephews neigh to you, you’ll have coursers for cousins, and gennets for germans†. A little further the remarks are no less moderate: â€Å"I am one sir, that comes to tell you your daughter and the moor are making the beast with two backs â€Å". We also learn in this first act, when Othello is obliged to explain the circumstances of his love with Desdemona (â€Å"strange and against nature†), that Brabantio that was linked to him in some â€Å"friendship â€Å"but we understand that it was true as he remained in the place which was his own, without going to compete with the Venetian nobles and hope to enter, for example, in the family. In this situation, the witch trials is already wielded by Brabantio accusing Othello of magic. Othello: â€Å"Her father loved me, he often invited me, he asked me the story of my life †¦ †. This is in sharp contrast to the despair and violence of the father when he learns that his daughter left with Othello. He even make explicit reference to skin color and supposed ugliness of the stranger: Scene 2 of the first act: â€Å"Can a girl so tender, so beautiful would [†¦ ] never ran from the tutelage of her father in a black soot to be like you, to fear, not to delight. . Scene 3 of the first act: â€Å"†¦ become, despite his love of nature [†¦ ] she was afraid to look! â€Å". Othello’s forced denial is complete: he converted to Christianity and blames himself the Turks who represent Muslim revivalism, until his last words which will be discussed further. No word on his Berber origins nor his first religion which is Islam in all likelihood It seems to devote a genuine hatred for the Turks in the name of this total feeling of belonging to the Republic of Venice. He understood that his ascent is the price. It is simply swept away, erased its own and profound identity in its very essence. We can see in the same time as the others always refer to the â€Å"particuliarities† that are his, his â€Å"strangeness,† and then only when it comes to belittle, humiliate and to remove any legitimacy on this earth for which he fought body and soul. His denial is the cause of Othello's descent into hell, into a kind of belated recognition that he was at the zenith of its glory. The â€Å"homecoming† seems to be inevitable for all of us, especially one who is living an important moment of his life and history. At the peak of his life, the Moor of Venice is undoubtedly aware of his confinement in this gilded citadel – military glory and carnal love. Then he givse up, probably unconsciously, self-destruction and easily falls into the trap of his so called faithful villainous Iago. There is a strong moment in this play, the only one to make a positive reference to the origins of Othello: it is the episode of the handkerchief, a crucial object that comes from his mother when she was on her deathbed. Othello's mother is quoted there for the first time, as a remnant of that origin killed out of necessity †¦ This hences the importance of the handkerchief Othello and focusing on its loss. The fact that the object has been given to Cassio, Desdemona's supposed lover, therefore appears quite high. The behavior of Lodovico, the Doge's sent to Cyprus to recall Othello, is the most emblematic of the shaky status of Othello in this society he wanted to endorse with all his heart: it is as if Othello man considered and respected, was expected at the turn, as if it were enough for him to make any mistakes so that everybody will sound the most negative about him and forget immediately all its virtues. That's what it feels well in Act 4, Scene One: Lodovico, ironic, after seeing Othello in the grip of jealousy hit Desdemona: â€Å"This would not be believed in Venice, Though I should swear I saw it † . Othello seems to be the subject of a hostile nature, a sort of presumed guilt until he proves he is innocent The tragedy of Othello is that he felt one day that his meteoric success was insignificant because it was really and deeply – socially and culturally — was denied by a block of domination in a society which he lived in and which he has become, paradoxically, one of the banners. Irreversible process, there remained to be a good reason for the man to end the world, and he is guided by hatred Iago who is going to serve him a dish of lies and machinations . Othello then gives up again. Iago does not kill Othello, but gives him the means to destroy himself. After his credit tainted by political and military actions that Venice could not accept, he decides to kill the woman who deeply loved him and to end his own life with these words that clearly show his awareness of the † wrong way â€Å"it has made in his life :† †¦ f one whose hand, like the base Judean, threw the pearl away richer than all his tribe; of one whose subdued eyes, albeit unused to the melting mood, drops tears as fast as the Arabian trees their med’ cinable gum. Set you down this. And say besides that in Aleppo once, where a malignant and turbaned Turk beat a Venetian and traduced the state, I took by th’ throat the circumcised dog and smote him — thus (He stabs himself). † Everything is here, up to the tribe of Othello's origins and thus he has â€Å"betrayed† †¦ And we might think that â€Å"circumcised dog† is Othello himself. As we said in the beginning, Shakespeare’s work have always been the source of much debate and of many interpretation. In deed, let’s conclude with a quote from the critic Harold Bloom in his book Shakespeare: The Invention of the Human notes, â€Å"We can keep finding the meanings of Shakespeare, but never the meaning. As each generation re-interprets Shakespeare, it's likely that these issues will continue to challenge, infuriate, and intrigue audiences.

Tuesday, January 7, 2020

Christopher Nol An American Film Director, Screenwriter,...

Laksamana Riadi Jeff Crum Film 1 6 December 2015 CHRISTOPHER NOLAN Christopher Nolan is considered an English-American film director, screenwriter, and producer and Auteur. Nolan is a man of talent who is known as one of the smartest, most creative, and successful directors in the film industry today.He is widely recognized after his first successful feature movie Following(1998),a noir thriller film.Which was recognized at a number of international film festival.Common themes and actors can be seen throughout Christopher Nolan’s films,he is also famous at narrating the movie in a non linear way.In the next paragraph im going to discuss why would i consider him as one of the best modern times auteur. One of the qualification of being an auteur according to French New Wave film director and film critic Francois Truffaut is that a good director exerts such a distinctive style or promotes such a consistent theme that his or her influence is unmistakable in the body of his or her work.This statement,it’s like it’s describing Christopher Nolan and his works, especially in the writing of his films and how he creates a relatable world within his films and matches it with a completely unrealistic plot. For example in his film, Inception he creates a real world in which the audience can completely relate to, setting the bulk of the film in Paris. However the plot of the film ensures that the Parisian location is set in a dream conscious state so it is not entirely relatable to